This song also appeared in a different later recording on Sheik Yerbouti. The last recordings are live tracks including Tryin' to Grow a Chin from a February 1977 London show at the Hammersmith Odeon. Most of the live tracks were recorded in December 1976 at the Palladium in New York City.
Zappa said the 1975 orchestral sessions alone cost him about $200,000. More orchestral works come from a September 1975 session with the 37-piece Abnuceals Emuukha Electric Symphony Orchestra, which was recorded at Royce Hall with conductor Michael Zearott. The piece is scored for a large orchestra and was recorded in Los Angeles between 19. The most substantial work is The Adventures of Greggery Peccary, a story set to music, which lasts over 20 minutes.
Leather cover with cute duck original mini diary planner full#
A full script exists, but the recordings of this project were never completed. These three are among the songs written by Zappa in 1972 for a stage musical called Hunchentoot. Flambe' and Spider of Destiny were also recorded at the ranch with additional overdubs in 1976 at the Los Angeles Record Plant. The album's opener Re-Gyptian Strut comes from December 1974 sessions at Caribou Ranch in Colorado. For The Young Sophisticate is a 1973 studio recording from Bolic Sound and is different from the later live version on Tinsel Town Rebellion. Down in De Dew comes from November 1972 sessions in New York and Los Angeles. The track was finished in 1976 at the Record Plant in Los Angeles. īasic tracks for Lemme Take You to the Beach were recorded during 1969 sessions for Hot Rats. More of these same bits, or "grouts" as Zappa allegedly called them, appear on other albums such as Sheik Yerbouti. Most of the songs on Läther are linked together with bits of musical sound effects ( musique concrète) and comic dialog from Zappa band members, Terry Bozzio, Patrick O'Hearn, and Davey Moire. The tracks utilize a constantly changing cast of backing musicians. Läther was assembled by Zappa in 1977 from a wide variety of recording sessions stretching back as far as eight years, but mostly between 19. So the final four albums of Zappa's recording contract were then assigned back to DiscReet. Cohen countersued, claiming that the Warner release violated the terms of his Discreet contract with Zappa. Zappa had intended this as a double LP, but he was later forced to re-edit the release into a single LP at the insistence of Warner executives. He delivered the album Zoot Allures directly to Warner that month, while bypassing DiscReet. Zappa re-negotiated with Warner and had his contract re-assigned in October 1976. Legal issues also prevented Zappa having access to any of his previously recorded material during the trials. The MGM settlement was eventually finalized in mid 1977 after two years of negotiations. Ĭohen filed a lawsuit against Zappa in return, which froze the money Zappa and Cohen were expecting to receive from an out-of-court settlement with MGM/ Verve over the rights to Zappa's early Mothers of Invention recordings. Zappa was also upset with Cohen for signing acts he did not approve. After Cohen cashed one of Zappa's royalty checks from Warner and kept the money for himself, Zappa sued Cohen.
Zappa and Cohen were the co-owners of the DiscReet records label, which was distributed by Warner Bros. Zappa's relationship with manager Herb Cohen ended in May 1976. Some may have believed this was authorized, despite the fact Zappa's name did not appear on the album. One of these was a four-LP box on the "Edison Record" label and appeared to be professionally packaged. A variety of bootleg recordings of this material were widely distributed. The Läther album was intended for release in 1977 as a four-LP box set, but it never appeared officially in this format. Läther integrates many aspects of Zappa's musical oeuvre - heavy rock, orchestral works, and complex jazz flavored instrumentals, along with Zappa's distinctive electric guitar solos and satirical lyrics, all edited together in a seemingly random way. Zappa also explained that the name is a joke, based on "common bastardized pronunciation of Germanic syllables by the Swiss." The album's title is derived from bits of comic dialog that link the songs. It was released posthumously as a three-CD set on Rykodisc in 1996. Läther ( / l ɛ ð ɜːr/, or " Leather") is the sixty-fifth official album by Frank Zappa. Frank Zappa Plays the Music of Frank Zappa: A Memorial Tribute
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